When we first see Helene polishing Franz's nameplate we are not sure whether she's a servant girl or his wife. Not only does Dieterle act as "Sex and Chains" director, he also stars as Franz Sommer, an unemployed engineer desperate for work. Pabst's "Diary of a Lost Girl," Carl Theodor Dreyer's "Michael," Richard Oswald "Different from the Others" and Dieterle's "Sex in Chains." Under the skilled guidance of film preservationist/silent film maharishi David Shepard these films probably haven't looked this good since their initial release. Under the subheading, "Gay-Themed Films of the Silent Era," Kino has released a set of four films that were, to say the least, dicey in their day. Thanks to Kino Video, we now have a chance to see one of the director's early German films in near pristine form. In his essential "Hollywood Directors," Jean-Pierre Coursodon argues that Dieterle was forced to tell his early stories through pictures in order to compensate for his inability to speak English. Although Michael Curtiz gets the lion's share of the glory, it is Dieterle, with his incredible sense of illustrative storytelling that remains the least lauded of the studio's directorial roster. in the 30's, only Raoul Walsh came close to William Dieterle's visual involvedness.
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